1. Learn how to Improvise
Learning how to improvise is the key to playing in this style.
Period. You must learn to experiment and take musical risks -
within certain frameworks of course. You're not going to bang on
the keys and expect to make music. This is not the kind of risk
I'm talking about. Students thrive best when given a certain set
of rules or guidelines to move around with.
For example, in the lesson "Reflections in Water" you are given
a few chords and a specific scale to make music with. In other
words, I give you a set of limits from which you play the game
of improvisation. This will free you up from the thousand and
one choices you could possibly have. In fact, if you didn't have
a set of limitations, you probably would end up banging on the
keyboard because while it is important to be free and
spontaneous, it is equally important to understand how the game
is played.
2. Develop the proper attitude
This one ties for first place. In my opinion, what stops most
students from learning all they can from this style is the
attitude that they either aren't good enough, or are not ready
to learn how to improvise and play piano. Please don't think
that. No one person will ever know all there is to know about
any one subject let alone piano playing. You will always be
growing but you must start somewhere and you must start from
SIMPLE means.
Here's a quote that sums it up best: "In the beginners mind
there are many possibilities, but in the experts mind there are
few." This means that you have an advantage over so called
experienced piano players. Your attitude should always be one of
receptivity. That is, never force anything to happen because
when you force you are already setting yourself up for failure
and disappointment.
3. Forget what you were taught
Perhaps you were taught that you must learn your scales first
and that you must learn how to read music before you can do
anything else. I'm here to tell you that I can't read music, yet
somehow, I've been able to put out two CD's of original music!
In fact, if anything, reading music will slow you down
creatively! If you want to create your very own music, you must
forget what you were taught about music in general and focus on
learning how to improvise first and compose second. Both of
which can be taught!
I think I read every book at the library on composition and
improvisation and what helped me out the most was a very slim
volume on chord changes using 8-bar patterns. By playing the
chords in a set framework (8-bars) I was able to see how to use
repetition and contrast to create with. And of course, I
listened to the people I loved and learned a lot from just
listening. So forget about what you were taught and start
thinking about what you want to accomplish and you can do it!
4. Learn chords
You've heard it before. Learn chords and you can make music.
Just learn the 144 chords and voila - you can do it all. Don't
believe it! You need to learn chords, but you don't need to
learn one hundred chords right away. No. You need to learn
probably about 3 chords or less to begin improvising in the "new
age" style. And if you think that you need to learn more than
this at the beginning you are wrong.
Of course you can learn as many chords as you want but what's
the point if you never use them? It's like learning a new
vocabulary word each day for the sake of massaging your ego.
Nice, but unnecessary.
5. Learn how to use Chords
Let's assume you've learned a few chords. Now what? What are you
going to do with your new chords? You are going to use them to
create music with and the best way to do that is to choose a key
or mode to play in. This automatically limits your choices.
For example, let's say I sit down and start improvising and I
start using a C Major 7 chord. I like what I hear but a problem
arises - where do I go from here. Now this won't be a problem if
you say to yourself. "OK. I started on C Major 7. Let's just
stay in the Key of C Major and see what happens." Now, you are
ready to go forward because you do not have a thousand and one
confusing choices ahead of you. Do you see how this can free you
up? You've limited yourself to using just 6 chords from the C
Major scale.
About Author :
Edward Weiss is a pianist/composer and webmaster of
Quiescence Music's online piano lessons. He has been helping
students learn how to play piano in the New Age style for over
14 years! Visit us now at http://w
ww.quiescencemusic.com/piano_lessons.html for a FREE piano
lesson!